Aileen B. Cho, MA, RDT/BCT, CEDS, LMFT #93246
Psychotherapist · Registered Drama Therapist / Board Certified Trainer · Certified Eating Disorder Specialist · Licensed Marriage & Family Therapist
Drama Therapy
Drama therapy is the intentional use of tools derived from drama/theatre processes and techniques (such as dramatic projection, improvisation, role play, storytelling, ritual and performance) in order to facilitate psychological/social change and to achieve therapeutic goals for an individual, group or larger community.
Drama therapy is a uniquely active and experiential approach that skillfully combines theater and psychotherapy which aims to provide participants with a safe, yet stimulating context in which the depth and breadth of inner experience can be actively explored and interpersonal relationships skills can be enhanced.
The simultaneously active and reflective factors of drama therapy help people to uncover and express feelings, integrate emotional, cognitive, and physical levels of experience, while the perspective-inducing elements help participants move out of rigid roles and discover more satisfying ways of relating with others.
Drama therapy is adaptable, takes on many forms—depending on individual and group needs and does not require participants to have any previous acting or theater experience.
To find out more information on Drama Therapy:
"Like all playobjects, or toys,
we eventually break, and are broken through mishandling by others.
We have missing parts,
we can't turn
or talk like we used to,
our batteries are low,
and buttons do not work.
Yet, though imperfect as we are,
the desires for play overcomes,
and we can be held and played with,
be cared for and given pleasure to,
and be kept in the playroom
or bedroom or toychest
for many years,
just as we hold our loved
but broken ones close to us.
This is what being here is all about."
DAVID READ JOHNSON, PhD,
Creator of Developmental Transformations (DvT)
Self-Revelatory Performances
"Self-Rev" (for short)
Self-rev performances are original theatre pieces where the client/actor explores, grapples with, and aspires towards healing a current life-challenge. Unlike autobiographical theatre, which focuses more on recounting life experience, self-revs involves real-time "working through" of psychological wounds. The actor uses drama therapy methods in creating the piece and within the performance itself. The immediacy and authenticity of self-revs makes them compelling and moving theatre that often strikes universal chords in audience members.
"Like all playobjects, or toys,
we eventually break, and are broken through mishandling by others.
We have missing parts,
we can't turn
or talk like we used to,
our batteries are low,
and buttons do not work.
Yet, though imperfect as we are,
the desires for play overcomes,
and we can be held and played with,
be cared for and given pleasure to,
and be kept in the playroom
or bedroom or toychest
for many years,
just as we hold our loved
but broken ones close to us.
This is what being here is all about."